The Young Girls Of Rochefort -1967- Criterion -... May 2026

But plot is secondary to vibe . Demy, working with composer Michel Legrand (who scored Umbrellas and later The Thomas Crown Affair ), crafted a town where the sidewalks are washed in pastels, the jazz orchestras play on flatbed trucks, and everyone spontaneously breaks into intricate choreography. The Criterion release allows modern audiences to appreciate the film’s most poignant subtext: the real-life bond between the two leads. Françoise Dorléac was a blazing talent—edgier, more cynical, and more volatile than her younger sister, Deneuve. Off-screen, they were inseparable. On-screen, their chemistry is electric, a genuine shorthand of sisterly exasperation and adoration.

So, pour a pastis, turn up the Michel Legrand soundtrack, and prepare to be blinded by the light of Rochefort. You will leave with the "Chanson des Jumelles" stuck in your head for a week. And you won’t mind at all. The Young Girls of Rochefort -1967- Criterion , Les Demoiselles de Rochefort , Catherine Deneuve , Françoise Dorléac , Jacques Demy , Michel Legrand , Gene Kelly , French New Wave musical , Criterion Collection restoration. The Young Girls of Rochefort -1967- Criterion -...

The Criterion Collection has done more than preserve a film; they have preserved a specific frequency of happiness. To watch this restored version is to understand why Jacques Demy is a saint to directors from Damien Chazelle ( La La Land owes this film its entire color palette) to Wes Anderson. But plot is secondary to vibe

The Criterion Collection, known for its laser-focused restoration and scholarly extras, has not merely released a film; they have resurrected a world. Here is why the 1967 Criterion release is the gold standard and why The Young Girls of Rochefort remains a vital, necessary work of art. To understand the film, one must first understand the context. In the mid-1960s, France was changing. The stifled conservatism of the post-war era was giving way to the revolutionary fervor that would explode in May 1968. Yet, in the port town of Rochefort (filmed on location), Demy saw not politics, but possibility. So, pour a pastis, turn up the Michel

Buy the physical 4K disc if your setup permits. The bitrate on the dance sequences—particularly the opening "Arrival of the Fair" number—demands the highest possible resolution. Streaming compression often flattens the background dancers into smears of color; the disc keeps every sequin distinct. Conclusion: A Timeless Antidote In an era of cynical reboots and grey superhero blockbusters, The Young Girls of Rochefort (1967) feels like a revolutionary act. It insists that beauty is not frivolous, that melody is not escapism, and that a twin sister’s smile is worth capturing in the highest possible definition.

In the pantheon of movie musicals, there are the stone-cold classics of the Golden Age ( Singin’ in the Rain ), the gritty rock operas of the 1970s ( Tommy ), and then—suspended in a bubble of pure, phosphorescent joy—there is Jacques Demy’s The Young Girls of Rochefort ( Les Demoiselles de Rochefort ).