| Element | Function | | :--- | :--- | | | Nevins did not re-sing or over-process Run and D.M.C.'s voices. He let their aggressive delivery cut through the mix. | | The "Stutter" Effect | The chopped "like that" created a call-and-response between the past (the vocal) and the present (the edit). | | Mid-90s Filter Sweeps | The use of low-pass filters (borrowed from French touch) gave the track a "breathing" dynamic, perfect for peak-time clubs. | | Bassline Simplicity | A single, rubbery synth note dropped on every beat—monstrous on a proper sound system. |
| Feature | RUN DMC (1983) | Jason Nevins (1997) | Raxon Edit (c. 2020) | | :--- | :--- | :--- | :--- | | | Old school hip-hop | House / Big beat | Peak-time techno | | BPM | ~96 | 128 | 132 | | Vibe | Angsty, stoic | Euphoric, anthemic | Dark, driving, hypnotic | | Primary Listener | Hip-hop purists | 90s ravers / club kids | Modern techno DJs | | Availability | Wide (all platforms) | Wide (remastered) | Rare (bootleg, blogs) |
For the DJ digging for that secret weapon, the Raxon edit is the current holy grail. For the casual listener, the Jason Nevins remix remains a perfect time capsule of the late 90s. And for the historian, the 1983 original is a cornerstone of modern music. RUN DMC- Jason Nevins - It-s Like That -Raxon E...
As Run and D.M.C. once barked: "You can't forget that, so don't forget that..."
Search YouTube, SoundCloud, or Beatport for "RUN DMC Jason Nevins Raxon," and you will find a handful of low-fidelity, often slightly sped-up edits of the Nevins remix. These are typically labeled as "It's Like That (Raxon Re-Work)" or "Raxon E… Edit." But who is Raxon? Raxon (real name likely Raxon E. Mercado or simply a mononym) is a techno DJ/producer from the Dominican Republic, currently signed to labels like Drumcode (Adam Beyer’s label) and Terminal M (Monika Kruse’s label). He is known for driving, hypnotic techno with Latin percussion underpinnings. | Element | Function | | :--- |
But in the decades since, the digital underground has kept the track’s spirit alive. Search for "It's Like That" on niche DJ forums or streaming platforms today, and you’ll encounter a peculiar, shadowy suffix: "Raxon E..."
The through-line is the vocal: "It's like that, and that's the way it is." In 1983, it was fatalism. In 1997, it was a unifying shout of recognition. In Raxon’s hands, it is a rhythmic mantra, stripped of context and reduced to pure cadence. The keyword "RUN DMC- Jason Nevins - It's Like That -Raxon E..." is more than a messy search string. It is a map of musical evolution. It traces a path from a South Side Queens rap group to a Long Island house DJ to a Dominican techno producer. Each artist added a new layer of polish, speed, and intensity, yet the core remained unchanged. | | Mid-90s Filter Sweeps | The use
Below is a comprehensive, long-form article optimized for this keyword set. Introduction: The Bootleg That Broke the World In the history of crossover hits, there are milestones, and then there are earthquakes. In 1997, a DJ from Long Island named Jason Nevins took a twelve-year-old acapella from the legendary hip-hop trio RUN DMC and laid it over a pounding, filtered, big-beat house track. The result, officially titled "It's Like That (RUN DMC vs. Jason Nevins)" , became a global phenomenon, topping charts from the UK to New Zealand.