But for the true fanatic—the one who wore out their Definitely Maybe cassette and argued in schoolyards over whether Be Here Now is underrated genius or cocaine-addled bloat—the real treasure was never the singles. It was the B-side. To put it bluntly: They are, in aggregate, the greatest B-side discography in the history of rock music. For many fans, the B-sides constitute a phantom fourth album, one that sits comfortably alongside the holy trinity of Definitely Maybe , (What’s the Story) Morning Glory? , and The Masterplan .
For any new listener approaching Oasis, the advice is simple: Do not start with the Time Flies greatest hits album. Get Definitely Maybe . Get (What's the Story) Morning Glory? . Then, buy The Masterplan . Listen to it in the dark. oasis b-sides
You will realize something profound: The songs that couldn't get on the album are the ones that defined the legacy. In the story of Oasis, the B-sides aren't the footnotes. They are the secret chapters. And they are, quite simply, biblical. But for the true fanatic—the one who wore
Oasis did the opposite.
"Half the World Away" is a perfect example of the B-side paradox. It was the flip to the Christmas hit "Whatever." It later became the theme song to the BBC sitcom The Royle Family . It is now streamed hundreds of millions of times. Yet, in 1994, it was considered the "throwaway." For many fans, the B-sides constitute a phantom
Noel Gallagher, the band’s de facto leader and songwriter, grew up on The Smiths, The Jam, and The Beatles—bands that treated B-sides as a canvas for experimental genius. Noel had a problem: he wrote too fast. In 1994-95, he was churning out classic rock riffs in his sleep. The standard LP could only hold 11 songs. So, the rest went to the B-sides.