Fucking Possible Comic Best 90%

For years, we’ve danced around the question with careful, academic disclaimers. “Art is subjective.” “You can’t compare Maus to Amazing Spider-Man #122 .” “It depends on what you mean by ‘best.’”

Yes. It’s Jimmy Corrigan: The Smartest Kid on Earth . fucking possible comic best

It’s the best because it does what only comics can do: It makes time visible. It makes loneliness architectural. It turns a paper object into a mirror big enough to hold every failure, every quiet Sunday, every father who didn’t call. For years, we’ve danced around the question with

That’s it. No explosion. No confession. Just a cup and a tremor. It’s the saddest thing I’ve ever seen in any medium. Fucking possible comic best means making sadness feel physical. The first time, you read for plot: a pathetic man meets his grandfather and father, fails to connect, and returns to his empty apartment. It’s the best because it does what only

I’m here to argue the opposite. Not only is it possible to identify the single greatest comic ever published, but doing so is essential. We need a Mount Rushmore. We need a heavyweight champion. We need a book you can hand to a non-believer and say, “Read this. If you don’t get it, you don’t get comics.”

The third time, you realize Jimmy Corrigan is actually a comedy. A bleak, cringe-comedy about a man so passive he makes Charlie Brown look like Tony Robbins. Ware hides jokes in the margins. A sign that says “FREE ADVICE (worth every penny).” A child’s drawing labeled “My Dad” that’s just an empty square.

The ending is famously scrambled. The manga outstrips the film, but the final volume feels like Otomo got tired. A comic that stumbles at the finish line cannot claim the throne. The Winner: Jimmy Corrigan: The Smartest Kid on Earth by Chris Ware Here’s where you say: “What the fuck? A sad, lonely, red-haired dweeb in a tiny bowtie? Over Watchmen ? Over Maus ?”