The turning point came with the collapse of the monopoly on broadcast TV and the arrival of global streaming giants like Netflix, Viu, and WeTV. Instead of killing local content, streaming revitalized it. Indonesian producers learned quickly from the Korean Hallyu (Wave) playbook: export what is uniquely local, but package it with universal emotions. The result is a genre now dubbed WIBUS (WIB/Waktu Indonesia Barat times US, or just modern local content).
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Not anymore.