Holden was the patriarch of a musical dynasty. His sons, the legendary (Bob, Bill, and Ray), would go on to form one of the most popular jazz combos in the Pacific Northwest. But Oscar was the root. He was known for a percussive, "stride-adjacent" left hand and a right hand that loved chromatic runs—what critics at the time called "the sound of rain on a tin roof in the industrial district."
Do you have a memory of hearing the Holden Brothers live? Or perhaps you own a rare pressing of the original 78? Let us know in the comments below—and keep strutting. alley cat strut oscar holden
When discussing the roots of American jazz, most conversations gravitate toward the bustling clubs of New Orleans’ Storyville, the syncopated rhythms of Jelly Roll Morton, or the virtuosic trumpets of Louis Armstrong. However, nestled deep within the Pacific Northwest’s musical history lies a hidden gem: Oscar Holden and his iconic composition, "Alley Cat Strut." Holden was the patriarch of a musical dynasty
For decades, this track has lived in the shadows of mainstream jazz standards, yet it remains a cornerstone for collectors of "taxi piano," West Coast ragtime, and early territorial band jazz. If you have never heard the name or tapped your foot to the lazy, predatory swing of the "Alley Cat Strut," you are about to discover one of the most flavorful pieces of American piano history. Who Was Oscar Holden? Before we analyze the "Alley Cat Strut," we must understand its creator. Oscar Holden (1887–1969) was a classically trained pianist and composer who migrated from the Deep South to the West Coast. Unlike many of his contemporaries who chased fame in New York or Chicago, Holden planted his flag in the speakeasies and supper clubs of Seattle, Washington. He was known for a percussive, "stride-adjacent" left